Kazimir Malevich
1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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Kazimir Malevich Suprematist Composition White on White, oil painting


Suprematist Composition White on White,
Suprematist Composition: White on White, 1917
Painting ID::  59724
Kazimir Malevich
Suprematist Composition White on White,
Suprematist Composition: White on White, 1917
   
   
     

Kazimir Malevich Suprematism oil painting


Suprematism
Suprematism, 1921-1927
Painting ID::  59725
Kazimir Malevich
Suprematism
Suprematism, 1921-1927
   
   
     

Kazimir Malevich Boy oil painting


Boy
Boy, 1928-1932
Painting ID::  59726
Kazimir Malevich
Boy
Boy, 1928-1932
   
   
     

Kazimir Malevich Red cavalry oil painting


Red cavalry
Red-cavalry, 1928-1932
Painting ID::  59727
Kazimir Malevich
Red cavalry
Red-cavalry, 1928-1932
   
   
     

Kazimir Malevich Summer Landscape, oil painting


Summer Landscape,
Summer Landscape, 1929
Painting ID::  59728
Kazimir Malevich
Summer Landscape,
Summer Landscape, 1929
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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